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The Best Music Production Software

April 16, 2020 7 min read

Music Production Software

The vast array of music production software on the market can be overwhelming for the average artist looking to get further into the producing. From free programs to $1,000+ software, it’s difficult to decipher the differences in each piece of software and whether or not the money is worth spending. Learning a brand new program can also be daunting and require a considerable amount of effort, with different programs presenting unique learning curves for beginners and advanced producers. Choosing the best music production software is similar to choosing the best guitar — it really depends on your stylistic interests, musical goals, experience, devotion, and, of course, budget. The perfect guitar for B.B. King won’t be the same for Carlos Santana, and vice versa, because they play different styles of music with different creative goals. The same thing applies for the differences between a more traditional producer like Brian Eno and someone more modern like Flume.

For producers just starting out, it is likely tempting to choose the cheapest and easiest program. In this article, we will look into which softwares are best for beginners and those on a budget. We will also explore the real benefits of more expensive programs like Ableton and FL Studio, and whether or not they are worth the high price tag. 

What is the industry standard for production software?

Industry standards are constantly changing, but most producers will tell you that Pro Tools and Logic serve as the main industry standards music production software. In most studios, both will be present, especially Pro Tools. They have each paved the way for decades as top-quality, professional DAWs. However, it also depends on the genre.

For electronic music — especially live music — Ableton has really become a top contender. And in the realm of hip-hop, there are few competitors that can hold up to FL Studio. In other words, it comes down to the industry you are in, but most producers will speak of Pro Tools, Logic, Ableton, and FL Studio as being the top tier DAWs. In addition, many producers will use a combination of DAWs for different jobs and settings. For example, a producer may make beats in FL Studio, but when they’re in the studio with a rapper, they will track with Pro Tools. 

What do professional music producers use for software?

One of the first things to consider in looking for a digital audio workstation (DAW) is which one your favorite producers use. This will help narrow down the crowded list of programs to a few that are tried and true by your influences. For example, if you’re a big fan of Jamie xx or James Blake, both of whom use Logic, it might make sense for you to begin by exploring their DAW of choice. On the other hand, if you’re big into Flume, Diplo, and Skrillex, you might be persuaded to check out Ableton, their DAW of choice. Notable hip hop producer Metro Boomin is a known user of FL Studio, as well as the likes of Boi-1da, Mike Will Made It, and South Side. 

There are less flashy programs, as well, that are used by prominent producers, such as Clams Casino using Sony Acid Pro 5 and Burial using Sound Forge. Both examples show that in order to be a successful producer, you don’t need the industry’s most popular or expensive software. However, it does help to have relevant gear for the sake of collaboration and compatibility. If your favorite producer uses Cubase, you can still make music inspired by them in Ableton or vice versa. But knowing the tools they rely on can help you in your decision.

easiest software to make music

What is the easiest software to make music?

For someone who has no experience creating electronic music, it can be very overwhelming when opening a DAW for the first time, regardless of the program. There are countless knobs, effects, buttons, tabs, files, etc. Even producers with years of experience have somewhat of a learning curve when diving into a new DAW or significant update to their DAW of choice. Part of the struggle also depends on whether or not you enlist the help of online tutorials, as well as paid mentorship, both of which can go a very long way in expediting your road to understanding. But there are varying degrees of how user friendly each DAW is for a new producer.

GarageBand is a common first DAW for Mac users looking to get into producing. It’s incredibly simple to use and, best of all, completely free. Then there is Audacity, which is also free, but more limited than GarageBand. There is also Pro Tools First, Cubase LE, CakeWalk, PreSonus Studio One Prime, and other free DAWs that are aimed at helping prospective beat makers get quickly into the art. But just because they’re free doesn’t necessarily make them easy to learn, just easy to access.

Of the top tier DAWs, FL Studio and Reason are both often seen as more user friendly and easy to get into. Ableton is also designed to be inviting to the novice producer, but the bigger drawback is the price tag for many producers. In the end, it really comes down to the amount of time you’re willing to unbox your DAW and understand its components. Jumping from Logic to Ableton is similar to jumping from guitar to bass. Once you understand the basics of one, you can usually get the other one down pretty quickly. But there will always be new things to learn, and as the saying goes, practice makes perfect.

Is Ableton better than FL Studio?

This is a loaded question that will work up producers all over the world, and the truth is there isn’t a clear yes or no answer. It boils down to what you’re looking to get out of your DAW. 

Ableton vs FL Studio

  • For performing live, Ableton is the better choice as it is literally the overwhelming choice for artists across the industry for playing live. It really stands in its own league here.
  • But for recording and tracking, FL Studio wins out because of its ability to record multiple tracks in one take.
  • Ableton also ekes out FL Studio when it comes to automation and workflow, as the design is arguably a bit more simple and streamlined for writing and editing quickly.
  • On the other hand, when it comes to customization, FL Studio gives you more preferences and options to individualize your DAW and workflow.
  • As for affordability, both Ableton and FL Studio come with a variety of price options, with more and more resources as the price goes up. But for the best bang for your buck, FL Studio’s Producer Edition is very affordable and a more worthy investment.

Is FL Studio worth it?

FL Studio has four main options to purchase:

  1. Fruity Edition - $99
  2. Producer Edition - $199
  3. Signature Bundle - $299
  4. All Plugins Bundle - $899

Each subsequent option offers more value and resources, but the truth is that a producer just starting out can really do a lot with the Producer Edition. While the All Plugins Bundle asks quite a bit from your wallet, it can be a quality investment for the right producer. But when it comes down to sheer value for your dollar, the Producer Edition is most definitely worth it in our opinion.

FL Studio has been a favorite for beat makers for decades, especially in the hip hop community. It got its footing as “Fruity Loops” and has gone on to become one of the most popular DAWs for bedroom producers. It’s incredibly versatile and allows for a sleek, empowering workflow. 

Is Ableton worth it?

Ableton, on the other hand, has three options for purchase:

  1. Ableton Intro: $99
  2. Ableton Standard: $499
  3. Ableton Suite: $799

Just like FL Studio, the cheaper versions of Ableton are far more limited, and with the price difference between Standard and Suite not too far off from each other, it usually makes the most sense to just purchase the full Suite, if you can afford it. Ableton is an excellent, world class DAW that has skyrocketed in popularity over the years, leaving a trail of dust in its path. But it isn’t cheap, and the intro version can only get you to a certain level of creativity. With that being said, the full Suite is a significant investment, but for serious producers, we do believe it is worth it, especially if you plan on playing live.

There is no comparable DAW to Ableton when it comes to live performance. If you’re strictly a simple, DIY bedroom producer not looking to complicate things, we might recommend the Standard version (or a cheaper DAW like FL Studio or Logic), but for dedicated producers who intend on touring, Ableton is an absolutely solid investment.

 

What is the best free music production software?

As we mentioned, there are several free DAWs, and each come with different levels of potential. In terms of quality, you get what you pay for, but that doesn’t mean you can’t make good music with free programs. Of the ones we've listed, here are our top five favorite free DAWs and why we like them:

  1. GarageBand — This one is specifically for Mac users. While it is far more limited than its superior, Logic, it does provide a wide variety of features, such as tracking, MIDI writing, and mixing. For someone just getting started who wants to experiment a bit, GarageBand is an excellent free DAW to get warmed up.
  2. Audacity — This is one of the most well-known music softwares out there, and it’s completely free. While we wouldn’t recommend it as a full-time DAW, it’s great for editing audio clips, and it allows you to get creative with effects and sample warping. 
  3. Pro Tools First — The little brother of Pro Tools, this free version of the infamous software allows playback for up to 16 audio tracks and lets you record up to 4 tracks at once. Plus, it comes with 20 free plugins. 
  4. Cubase LE — Another younger sibling software, Cubase LE supports 24 MIDI tracks, 16 audio tracks, and 8 physical inputs for recording. It comes with a variety of plugins, virtual instruments, and presets, giving you just enough tools to get a solid taste of the real thing.
  5. Cakewalk — This one is exclusively for Windows users. It offers a range of tracking options for building beats, mixing, and more. It was previously known as Sonar. It has a great capacity for editing audio and re-arranging samples, etc.


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